There’s a tenderness running through 'Good Woman' that feels almost deceptive, it's soft to the ear, but carrying something heavier underneath. For London-based jazz/soul artist Kyra, this is one of her most quietly revealing releases to date. Co-written with Aaron Paul Taylor, the track was born out of a period where Kyra felt particularly delicate and vulnerable after giving birth, and you can feel that emotional rawness woven into every line. Lyrically, it centres on 'the one who is first to rise, last to rest'. and it's a reflection on the invisible labour so many women carry, framed through the idea of the 'good woman' - the one who holds everything together, quietly. Her framing is simple but cutting: Kyra captioned "Imagine every wife had a good woman at home?" It flips the expectation just enough to expose it. Musically, the track mirrors that duality. It’s gentle (almost fragile) with subtle trumpet lines and easy, unintrusive drums that let the emotion breathe. Her vocal sits right at the centre: soft, controlled, and genuinely beautiful, but never detached. There’s a sense of someone holding it together in real time, tears in her eyes, but still wearing a smile.